Kiss Kiss Bang Bang (2005)

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Kiss Kiss Bang Bang is a dark comedy with a strong noir edge mystery about a murderer being pursued by a gay private investigator, a thief mistaken as an actor and his childhood love interest.

Though this movie may be enjoyable to the casual movie going audience, it is especially appealing to those well versed in the medium of film. Film buffs will find great pleasure in this film as it takes the conventions you’ve come to expect and twists them around to great comedic effect. “Kiss Kiss Bang Bang” follows a somewhat generic murder mystery plot, but infuses it with genre defying dark comedy at crucial moments to steer the film into unexpected territory with the comedy forming to the point of perfection and hitting its mark every time.

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While the comedy and some of the direction/cinematography stop “Kiss Kiss Bang Bang” from being a true hard boiled noir, all the style is still there. The film has a great grasp of the noir style, with a lot of darkly lit sets, many washed over with heavy color as many neo-noirs do.

The music is also excellently noir and it is impressive how the often serious music manages to avoid clashing with the comedic moments that occur simultaneously. The music is all great and genre fitting, until the end credits where they used a horribly unfitting song. I’m one to usually read through the credits of a film if I like it, and the music choice stopped me from doing so. This isn’t a bad mark on the film itself, just a poor decision from the soundtrack department which up until that point had been so great.

The two leads are great. Robert Downey Jr. as Harry Lockhart and Val Kilmer as Gay Perry are both terrific. Each character is well formed, and though the characters never take on the buddy cop formula, they do have good back and forth on screen chemistry which makes the comedy work that much better. The excellent comedic writing is pulled off flawlessly by these two leads. The female lead, Harmony Lane played by Michelle Monaghan, is a different story. The threeactress did a fine job, but the writing of the character does not work to the film’s benefit . The only aspect of the film that didn’t work to me was the romance between Harry Lockhart and Harmony Lane. I really can’t see why she is worth all the trouble or why Harry would even want to be with her, she’s honestly quite a whore.

The film has one of the absolute best narrations of all time from Robert Downey Jr. as his character tells the story while having quite a bit of difficulty. He goes back to parts he forgot, criticizes scenes and gets off topic. All to excellent comedic effect. The film is very self aware which works in its favor and gives a feeling of true originality to the film.

The clever, tightly written script is the main reason to watch the film. “Kiss Kiss Bang Bang” is hilarious but also manages to be very cool and stylish with a nice noir tone and even managing to have a pretty damn cool final shootout.
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Kiss Kiss Bang Bang” is a fantastic film. I highly recommend it to all fans of cinema. Anyone looking for a neo-noir, a comedy or even a low octane action film will likely find a good time wrapped up within “Kiss Kiss Bang Bang”, it can even work as an alternative Christmas film like “Die Hard” or “In Bruges“.

 

Max Payne: A Reason to Live – by Sam Kench

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This is a short that I wrote, directed, edited, and did the cinematography on inspired by the Max Payne video game series.

The Max Payne games are fantastic and I highly recommend them, I might get around to an actual review of these games eventually but this is my tribute to the series. It’s not a recreation of the game, but more of a side story revolving around the title character.

We shot this a while ago, over the summer actually, but it got stuck in post production for a long time. Once I got After Effects and learned how to do the VFX I was able to get the muzzle flashes, smoke and blood dones. This is the first video I’ve done VFX, so there was a steep learning curve. Now it’s finally finished and public.

Max Payne is played by Emmett Morrill, I provided the voice for the narration, and Elias Redcloud played Walter Santiago. The goons are played by myself, Andrew Fortier, and Logan Frye. I hope you’ll all check it out and enjoy it and maybe leave some feedback.

Here’s a little background information about the making of the video:

  • This video was shot in one day coming hot off the heels of another larger scale project which I hope to be able to release in the future.
  • Max Payne’s costume was a joint effort by Elias Redcloud and the owner of Green Carbon 2112. The jacket belonged to Eli, and the Max Payne tie was custom made for the video by Amy Lyn.
  • The day before filming I sat down with Emmett Morrill who played Max Payne and we played the game. I had him pay close attention to Max’s mannerisms. The way he walked/ran with/without guns, the way he takes cover, and especially the way he jumps. The trademark of the Max Payne games is the slow motion diving and shooting and this is something that I strove to recreate for the video. It was important to me that we were faithful to the dives and that meant getting serious height and flying backwards into the ground. This is hard to do from a stunt person perspective as it is very hard to stop your body from instinctively putting your hands down and catching yourself. We used a crash mat for Emmett to dive onto to make it a little easier on him.
  • Max Payne’s signature emotion is his trademark hyper frown, it’s not quite a Dredd hyper frown but it’s pretty close. Max is a guy who has no joy in his life so we spent a great deal of time working on Emmett’s frown.
  • The video was filmed downstairs at the Gordon Nash Library in New Hampton New Hampshire which is where we held our film club meetings over the summer.

A sequel video is currently in pre-production but it could be a while before that takes off. The rate at which it happens depends largely on locations and actors as well as the editing, but if enough people are really itching to see the sequel I can make that priority.